Welcome to our digital archives. In this page we will be posting resources that are designed to engage our students, staff, and broad community.
Virtual Artist Talks
The artist talk series is supported by The Kohler Foundation, Inc. Edited by Artdose Magazine.
SALLY CARSON, WISCONSIN
In this episode Sheboygan-based artist Sally Carson talks about her love for letterpress printing, her journey from a former art gallery owner to her current artistic practice as a graphic designer, and working with today’s aspiring artists.
Sally Carson is a graphic designer who took a letterpress workshop and fell in love! Her wonderful friend who was running the workshop was teaching them about inking and said you want the ink to look like VELVET and sound like BACON! Well, who doesn’t want to make Velvet Bacon every day?! Since then Carson has been hooked. Currently, she prints on a 1923 Chandler & Price platen press. She has about 50 square feet of space in her studio. She is working on building a larger type collection. She uses polymer plates for custom designs and marketing materials.
In this episode, Madison-based artist Katherine Steichen Rosing talks about her love for the outdoors, reviving childhood memories, and embracing the use texture and color.
As a native Wisconsinite, our forests and lakes are an important part of my soul. Forests reveal cycles of time and nature which emerge in my paintings and drawings coded as rhythmic patterns of line, negative space, color, and texture.
Every forest is different, and ever changing. Phases of life can be seen everywhere from the slender saplings and immense mature trees, to the diseased and fallen. In the quiet pools within the forests, ripples from insects, animals, and drizzling rain interact and disappear — ephemeral events.
Immersed in a forest, lost in the luscious whorls of lichen, I remember that lichen can be a sign of clean air, or a weakening tree. The rhythmic contrasts of narrow and wide trunks, vertical, diagonal, or horizontal, narrate the history of the forest from the elders to the saplings. I feel the bodies of the trees dwarf and engulf me making me part of the forest, for the moment. Peering at ripples on a pond, I wonder about the disturbances above and below. The chaos and tumult of modern human life melts away for a little while and I am in a timeless zone.
Surface and color are important in my paintings where I develop relief surfaces to enhance the play of light and color like nature’s textures. I work in a wide range of sizes and formats from intimate oval paintings on birch panel to very large paintings on unstretched canvas and ten foot long scroll drawings on archival Tyvek. I like the intimacy of small works invite exploration of the surface while huge works engulf and surround us like wilderness.
Katherine Steichen Rosing’s paintings and drawings have been exhibited in solo and group exhibitions in museums and galleries throughout the United States and abroad, including Milwaukee, Chicago, New York, Washington D.C., Tokyo, and Beijing. Her works are included in numerous collections internationally including the State of Wisconsin Collection, Northwestern Mutual, University of Wisconsin Hospital and Clinics, Madison, WI.
In addition to an active exhibition career, Ms. Rosing has taught studio art courses at colleges and universities for over 20 years in Madison and Chicago. Born and raised in Appleton, Wisconsin, she earned her undergraduate degree from the University of Wisconsin-Madison, and an MFA in Painting and Drawing from Northern Illinois University-DeKalb.
LIALA AMIN, WISCONSIN
In this episode, Milwaukee-based artist Liala Amin talks about her self-discovery journey, embracing her culture, addressing mental health, and finding the freedom to follow her own voice.
At its core, my art is a visual journal. A therapeutic documentation of emotion, growth, and discovery. I rely on intuition as I allow lines to flow and form organic, and sometimes chaotic, patterns. But within chaos there is a union of consciousness and the unknown, creativity and transformation.
My art is a feminine view inspired by a combination of myth, history, and personal experiences. I want to subvert singular expectations of womanhood and present femininity as multifaceted and fully autonomous. Multiple materials allow me to express different ideas and I enjoy incorporating different media in each artwork. I encourage the viewer to look closer and take in the details, reflecting lights, and shifting colors. Life changes depending on our view: we become illuminated differently by every new perspective.
Liala Amin is a multidisciplinary artist exploring the facets of femininity through themes of spirituality, mythology, and personal identity. While painting is her preferred medium, her work includes mixed media paintings, drawings, and textiles. She flows between mediums to explore the intuitive nature of art making. Amin considers her art a visual journal and an outlet to manifest introspection, storytelling, and process.
Amin graduated from the Peck School of the Arts at the University of Wisconsin-Milwaukee in 2014 with a Bachelors of Fine Arts in Fibers. Her work has been exhibited within Midwest group exhibitions and has received features in several publications. She is currently an Artist in Residence at Var West Gallery in Milwaukee.
KATIE LEMIEUX, CANADA
In this episode, Canadian-based artist Katie Lemieux talks about her love for large-scale ceramic works, communicating through the use of texture, embracing the business side of art, and being a full-time artist after graduating from the MFA program from UW-Milwaukee Peck School of the Arts in 2019.
“Through my sculptural and illustrative practice, I explore visual cues of non-verbal communication and expression. I look to lure the viewer into replicating expressions or postures before them, signaling an empathetic response. I work to create an atmosphere that demands a social code switch, an altering of social behavior. In regards to materiality, the rawness of the ceramic medium allows me to reflect on the fundamentality of the process. Illustration gives me the opportunity to explore rich and complex textures in a two dimensional space, recreating depth through tonal value and shadow. The elemental qualities of clay and charcoal I find physically relevant to our own existence. Our flesh is manipulated into folds and creases as we bend and stretch. Clay has the capacity to recreate the more subtle and romantic aspects of our bodies, and empathy can be experienced through familiar, tactile traits and imagery. This is what drives my artistic practice. ” – 2020
Katie Lemieux was born in Thunder Bay, Ontario. After receiving her HBFA at Lakehead University in Fine Art, Katie completed her Masters Degree in ceramic sculpture at University of Wisconsin, Milwaukee, USA. Her sculptures and production works encompass a variety of techniques including Mishima, Sgraffito and relief carving. She has showcased internationally in Canada, South Korea, Europe, China and USA, and has participated in residencies including Jingdezhen, Sanbao, China and a Virtual Residency in Busan, South Korea.
In addition to her art practice, Katie operates as a support worker for youth and adults with disabilities. This profession plays an integral part in her social research and art practice, as she is continually navigating non-verbal communication, social interactions and body language. Currently Katie continues her exhibition work in her home studio and enjoys experimenting with elements of the figure, abstracted iterations of emotion and pursuing her research of communicative capacities within humans.
Virtual Student Exhibition
Last school year (2020/2021) we created a virtual online student exhibition to showcase more art. This exhibition featured various artworks created by Mr. Juarez and Mrs. Mattern’s art students as well as art from other courses. We will continue to create online opportunities for our students.
We are embracing the digital world and will be bringing our students’ art to a screen near you.